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  <body>&lt;br /&gt;&lt;p&gt;The musical entertainment during Saturday's benefit for Artist Trust and the Yakima Symphony Orchestra will be a chamber music concert, with oration, of &amp;quot;Fa&amp;ccedil;ade.&amp;quot; &lt;/p&gt;&lt;p&gt;Somewhat jokingly dubbed by the YSO as &amp;quot;early 20th century rap,&amp;quot; the piece features music by British composer William Walton and poems by Dame Edith Sitwell. &lt;/p&gt;&lt;p&gt;&amp;quot;It's something I've wanted to do for a long time,&amp;quot; says YSO conductor Brooke Creswell.  &lt;/p&gt;&lt;p&gt;&amp;quot;I just thought it was a natural,&amp;quot; he says. &amp;quot;The theme of the whole weekend is books unbound. These are poems put to music.&amp;quot; &lt;/p&gt;&lt;p&gt;First publicly performed in the early 1920s during a time of artistic and literary revolt, the piece was revised numerous times over the next several decades. &lt;/p&gt;&lt;p&gt;And while it does have some affinities to rap -- the rhythmic delivery, clever word play -- Sitwell's poems stop far short from delivering any kind of message. Instead, says Creswell, the piece is simply a delight in language and instrumental color. &lt;/p&gt;&lt;p&gt;Performing &amp;quot;Fa&amp;ccedil;ade&amp;quot; on Saturday will be a six-piece chamber orchestra along with mezzo-soprano Sarah Mattox and tenor Noah Baetge, both former Seattle Opera Young Artists. &lt;/p&gt;&lt;p&gt;&amp;quot;So they're used to spitting out words,&amp;quot; says Creswell. &lt;/p&gt;&lt;p&gt;Which is good, because they'll have to articulate, as one classical music writer put it, &amp;quot;tongue-twisting lines of inconsequence.&amp;quot; &lt;/p&gt;&lt;p&gt;Here's an example: &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;quot;MARINER MAN&amp;quot; &lt;/p&gt;&lt;p&gt;What are you staring at, mariner man &lt;/p&gt;&lt;p&gt;Wrinkled as sea-sand and old as the sea? &lt;/p&gt;&lt;p&gt;Those trains will run over their tails, if they can, &lt;/p&gt;&lt;p&gt;Snorting and sporting like porpoises. Flee &lt;/p&gt;&lt;p&gt;The burly, the whirligig wheels of the train, &lt;/p&gt;&lt;p&gt;As round as the world and as large again, &lt;/p&gt;&lt;p&gt;Running half the way over to Babylon, down &lt;/p&gt;&lt;p&gt;Through fields of clover to gay Troy town -- &lt;/p&gt;&lt;p&gt;A-puffing their smoke as gray as the curl &lt;/p&gt;&lt;p&gt;On my forehead as wrinkled as sands of the sea! -- &lt;/p&gt;&lt;p&gt;But what can that matter to you, my girl? &lt;/p&gt;&lt;p&gt;(And what can that matter to me?)&lt;/p&gt;</body>
  <brief>The musical entertainment during Saturday's benefit for Artist Trust and the Yakima Symphony Orchestra will be a chamber music concert, with oration, of "Fa&#231;ade." Somewhat jokingly dubbed by the YSO as "early 2</brief>
  <category>ON Magazine, LOCAL</category>
  <created-at type="datetime">2008-06-17T21:20:04Z</created-at>
  <creator>by Kim Nowacki</creator>
  <current-date type="datetime">2008-06-19T22:57:32Z</current-date>
  <delta type="boolean">false</delta>
  <expires-at type="datetime">2008-06-21T00:33:25Z</expires-at>
  <headline>Tieton Summer Solstice -- 'Facade'</headline>
  <id type="integer">5055</id>
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  <permalink>tieton-summer-solstice-facade</permalink>
  <priority>Web Story</priority>
  <project-ident></project-ident>
  <publication>ON Magazine</publication>
  <publication-credit>ON Magazine</publication-credit>
  <publication-page type="integer">11</publication-page>
  <publication-section>A</publication-section>
  <published-at type="datetime">2008-06-20T07:00:00Z</published-at>
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  <record-number type="integer">6235949</record-number>
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  <slug>Tieton Summer Solstice -- 'Facade'</slug>
  <state>published</state>
  <status>Web Daily</status>
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  <subhead></subhead>
  <updated-at type="datetime">2009-03-20T02:26:52Z</updated-at>
  <version type="integer">1</version>
</story>
